Wireframe — structure and behaviour only. Not a design.
Projects/Hotel group, Belfast
Case study

Collection review and lending strategy for a hotel group.

A long engagement reviewing a hotel group's art holdings across three properties and shaping a clearer approach to display and rotation.

Project image
Client
Hotel group, Belfast
Scope
Collection review and lending strategy across properties
Services
Advisory, Stewardship
The brief

The group's collection had grown over decades without a current overview. They wanted to understand its strengths, identify gaps, and develop a thoughtful rotation policy across guest and public areas.

Approach
  • 01Collection-wide review with condition and significance notes.
  • 02Drafting of a written rotation and lending policy.
  • 03Ongoing advisory on incoming loan requests from institutions.
Outcome

A clearer collection identity and a sustainable framework for displaying and lending works.

Inside the space

Three moments from the project — and why the work was chosen for each.

Foinse curates art to shape the feel of a space. Each placement below answers a specific question the room was asking — a dwell point, a sense of movement, a quiet wall that rewarded close looking.

The space
Moment 01 · Hotel one — lobby
The room

A busy, mixed-use lobby with check-in, a bar, and circulation to the lifts. The existing collection felt accumulated rather than chosen.

What was chosen

A single large oil landscape, rehung to face the entrance.

Why it works here

Acts as a dwell point in a space designed for movement. Gives arriving guests something to look at while they wait — and a piece they remember after they leave.

The space
Moment 02 · Hotel two — guest corridors
The room

Long upper-floor corridors that previously carried generic decorative prints. The brief was to give each floor a quiet identity of its own.

What was chosen

Watercolour studies of local coast and harbour, one work per door bay.

Why it works here

Conveys place without leaning on signage. Guests describe the corridors as 'easy to walk' — which, in a hotel, is the work doing its job.

The space
Moment 03 · Hotel three — restaurant
The room

A high-ceilinged dining room with strong evening light. The brief avoided any work that would dominate the room or fight with the menu.

What was chosen

A pair of charcoal portrait studies, hung asymmetrically on the long wall.

Why it works here

Gives the room subject without imposing mood. Reads beautifully under low evening light and recedes politely during service.

More engagements, written up in the same way.

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